SANTI VOLTI

HOLY FACES (2023) is a large-scale work (117 × 160 cm) that combines conceptual rigor with refined material richness. The modular repetition of three faces, printed in linocut with golden ink, creates an intense and hypnotic choral presence. Hand stitching, oil painting, and gold leaf interventions make each section unique and unrepeatable.Exhibited three times — twice in abbeys and once in a prestigious winery — and published in a catalogue, the work represents a key piece in Nadia Kuprina’s artistic research, ideal for a collection attentive to the dialogue between contemporary art, spirituality, and craftsmanship.
“HOLY FACES” 117 cm x 160 cm. 2023 Detail
In Santi Volti, Nadia Kuprina explores the theme of the icon through seriality and material stratification. The work originates from the repetition of three original linocuts, hand-printed in gold, and is subsequently transformed through hand stitching, oil painting, and applications of gold leaf.Its exhibition history — two abbey settings and one winery — highlights the versatility of the work, capable of engaging with spiritual, architectural, and unconventional exhibition spaces. The publication in a catalogue reinforces its curatorial relevance and the solidity of the artist’s trajectory.
“HOLY FACES” 117 cm x 160 cm. 2023 Detail
HOLY FACES (2023) stands at the intersection of conceptual research, advanced craftsmanship, and strong visual identity. The monumental format, the use of gold, the mixed-media technique, and a proven exhibition history — three exhibitions in institutional and high-profile corporate contexts — make this work particularly compelling from a value perspective.Signed by Nadia Kuprina and published in a catalogue, the artwork presents solid characteristics for an investment focused on quality, consistency of artistic research, and long-term cultural relevance.
“HOLY FACES” 117 cm x 160 cm. 2023 Detail
While recalling traditional iconography through halos and frontal faces, Santi Volti presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“SANTI VOLTI” 117 cm x 160 cm. 2023 Ars In Tempore 2025
While recalling traditional iconography through halos and frontal faces, HOLY FACES presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“HOLY FACES” 117 cm x 160 cm. 2023 Abbey of Follina, Ars in Tempore 2025 Photo by Carmelo Polesel.
1. Text for CollectorsSanti Volti (2023) is a large-scale work (117 × 160 cm) that combines conceptual rigor with refined material richness. The modular repetition of three faces, printed in linocut with golden ink, creates an intense and hypnotic choral presence. Hand stitching, oil painting, and gold leaf interventions make each section unique and unrepeatable.Exhibited three times — twice in abbeys and once in a prestigious winery — and published in a catalogue, the work represents a key piece in Nadia Kuprina’s artistic research, ideal for a collection attentive to the dialogue between contemporary art, spirituality, and craftsmanship.
“HOLY FACES” 117 cm x 160 cm. 2023 Abbey of Follina, Ars in Tempore 2025
In HOLY FACES, Nadia Kuprina explores the theme of the icon through seriality and material stratification. The work originates from the repetition of three original linocuts, hand-printed in gold, and is subsequently transformed through hand stitching, oil painting, and applications of gold leaf.Its exhibition history — two abbey settings and one winery — highlights the versatility of the work, capable of engaging with spiritual, architectural, and unconventional exhibition spaces. The publication in a catalogue reinforces its curatorial relevance and the solidity of the artist’s trajectory.
“HOLY FACES” 117 cm x 160 cm. 2023 Abbey of Follina, Ars in Tempore 2025
Santi Volti (2023) stands at the intersection of conceptual research, advanced craftsmanship, and strong visual identity. The monumental format, the use of gold, the mixed-media technique, and a proven exhibition history — three exhibitions in institutional and high-profile corporate contexts — make this work particularly compelling from a value perspective.Signed by Nadia Kuprina and published in a catalogue, the artwork presents solid characteristics for an investment focused on quality, consistency of artistic research, and long-term cultural relevance.
“HOLY FACES” 117 cm x 160 cm. 2023Abbey of Follina, Ars in Tempore 2025 Photo by Carmelo Polesel.
While recalling traditional iconography through halos and frontal faces, HOLY FACES presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“HOLY FACES” 117 cm x 160 cm. 2023
While recalling traditional iconography through halos and frontal faces, Santi Volti presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“HOLY FACES” 117 cm x 160 cm. 2023 art curator Roberta Gubitosi. 47 Anno Domini Wineyard. 2025 Photo by Carmelo Polesel.
HOLY FACES (2023) is a large-scale work (117 × 160 cm) that combines conceptual rigor with refined material richness. The modular repetition of three faces, printed in linocut with golden ink, creates an intense and hypnotic choral presence. Hand stitching, oil painting, and gold leaf interventions make each section unique and unrepeatable.Exhibited three times — twice in abbeys and once in a prestigious winery — and published in a catalogue, the work represents a key piece in Nadia Kuprina’s artistic research, ideal for a collection attentive to the dialogue between contemporary art, spirituality, and craftsmanship.
“HOLY FACES” 117 cm x 160 cm. 2023 Detail
In Santi Volti, Nadia Kuprina explores the theme of the icon through seriality and material stratification. The work originates from the repetition of three original linocuts, hand-printed in gold, and is subsequently transformed through hand stitching, oil painting, and applications of gold leaf.Its exhibition history — two abbey settings and one winery — highlights the versatility of the work, capable of engaging with spiritual, architectural, and unconventional exhibition spaces. The publication in a catalogue reinforces its curatorial relevance and the solidity of the artist’s trajectory.
“SANTI VOLTI” 117 cm x 160 cm. 2023 Linoleum Matrix
HOLY FACES (2023) stands at the intersection of conceptual research, advanced craftsmanship, and strong visual identity. The monumental format, the use of gold, the mixed-media technique, and a proven exhibition history — three exhibitions in institutional and high-profile corporate contexts — make this work particularly compelling from a value perspective.Signed by Nadia Kuprina and published in a catalogue, the artwork presents solid characteristics for an investment focused on quality, consistency of artistic research, and long-term cultural relevance.
“SANTI VOLTI” 117 cm x 160 cm. 2023 Abbazia di Santa Fede, Piemonte, 2023.
While recalling traditional iconography through halos and frontal faces, Santi Volti presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“SANTI VOLTI” 117 cm x 160 cm. 2023 Abbazia di Santa Fede, Piemonte, 2023.
While recalling traditional iconography through halos and frontal faces, HOLY FACES presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“HOLY FACES” 117 cm x 160 cm. 2023 Abbey of Follina, Ars in Tempore 2025 Photo by Carmelo Polesel.
HOLY FACES (2023) is a large-scale work (117 × 160 cm) that combines conceptual rigor with refined material richness. The modular repetition of three faces, printed in linocut with golden ink, creates an intense and hypnotic choral presence. Hand stitching, oil painting, and gold leaf interventions make each section unique and unrepeatable.Exhibited three times — twice in abbeys and once in a prestigious winery — and published in a catalogue, the work represents a key piece in Nadia Kuprina’s artistic research, ideal for a collection attentive to the dialogue between contemporary art, spirituality, and craftsmanship.
“HOLY FACES” 117 cm x 160 cm. 2023 Detail
In Santi Volti, Nadia Kuprina explores the theme of the icon through seriality and material stratification. The work originates from the repetition of three original linocuts, hand-printed in gold, and is subsequently transformed through hand stitching, oil painting, and applications of gold leaf.Its exhibition history — two abbey settings and one winery — highlights the versatility of the work, capable of engaging with spiritual, architectural, and unconventional exhibition spaces. The publication in a catalogue reinforces its curatorial relevance and the solidity of the artist’s trajectory.
“SANTI VOLTI” 117 cm x 160 cm. 2023 LInoleum Matrix
HOLY FACES (2023) stands at the intersection of conceptual research, advanced craftsmanship, and strong visual identity. The monumental format, the use of gold, the mixed-media technique, and a proven exhibition history — three exhibitions in institutional and high-profile corporate contexts — make this work particularly compelling from a value perspective.Signed by Nadia Kuprina and published in a catalogue, the artwork presents solid characteristics for an investment focused on quality, consistency of artistic research, and long-term cultural relevance.
“SANTI VOLTI” 117 cm x 160 cm. 2023 Abbazia di Santa Fede, Piemonte, 2023.
While recalling traditional iconography through halos and frontal faces, Santi Volti presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“HOLY FACES” 117 cm x 160 cm. 2023 Abbey of Follina, Ars in Tempore 2025
While recalling traditional iconography through halos and frontal faces, HOLY FACES presents itself as a contemporary reinterpretation of the sacred. An art critic has described the work as a “modern icon”: not an object of devotion, but a space for contemplation. The multiplied, open eyes do not instruct or judge; they accompany the viewer into a collective and silent dimension.It is no coincidence that the work has been exhibited twice in abbeys. The visual language of Nadia Kuprina naturally dialogues with architectures devoted to light, stillness, and slow time, offering a secular, current, and deeply respectful vision of the sacred.
“HOLY FACES” 117 cm x 160 cm. 2023 Detail
Santi Volti (2023) is a large-scale work (117 × 160 cm) that combines conceptual rigor with refined material richness. The modular repetition of three faces, printed in linocut with golden ink, creates an intense and hypnotic choral presence. Hand stitching, oil painting, and gold leaf interventions make each section unique and unrepeatable.Exhibited three times — twice in abbeys and once in a prestigious winery — and published in a catalogue, the work represents a key piece in Nadia Kuprina’s artistic research, ideal for a collection attentive to the dialogue between contemporary art, spirituality, and craftsmanship.
“SANTI VOLTI” 117 cm x 160 cm. 2023 curatrice d'arte Roberta Gubitosi. 47 Anno Domini Wineyard. 2025
In HOLY FACES, Nadia Kuprina explores the theme of the icon through seriality and material stratification. The work originates from the repetition of three original linocuts, hand-printed in gold, and is subsequently transformed through hand stitching, oil painting, and applications of gold leaf.Its exhibition history — two abbey settings and one winery — highlights the versatility of the work, capable of engaging with spiritual, architectural, and unconventional exhibition spaces. The publication in a catalogue reinforces its curatorial relevance and the solidity of the artist’s trajectory.
“SANTI VOLTI” 117 cm x 160 cm. 2022 Dettaglio
Santi Volti (2023) stands at the intersection of conceptual research, advanced craftsmanship, and strong visual identity. The monumental format, the use of gold, the mixed-media technique, and a proven exhibition history — three exhibitions in institutional and high-profile corporate contexts — make this work particularly compelling from a value perspective.Signed by Nadia Kuprina and published in a catalogue, the artwork presents solid characteristics for an investment focused on quality, consistency of artistic research, and long-term cultural relevance.
“SANTI VOLTI” 117 cm x 160 cm. 2023 Linoleum Matrix

paintings

“Cats and Dragonflies” Black/White. Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×135
“Cats and Dragonflies” Black/White. Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×135
“Visages” Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×144 cm
“Visages” Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×144 cm
“Cats and Dragonflies” Gold/Black. Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×136 cm
“Cats and Dragonflies” Gold/Black. Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×136 cm
“Lady Armchairs” Mixed media. Print on canvas, embroidery on canvas, oil on canvas 70×70 cm
“Lady Armchairs” Mixed media. Print on canvas, embroidery on canvas, oil on canvas 70×70 cm
“Blackbirds and Tulips” Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×130 cm
“Blackbirds and Tulips” Mixed media. Print on canvas, embroidery on canvas, oil on canvas 90×130 cm
“Fish O ‘Clock” Mixed media, print on canvas, embroidery on canvas, oil on canvas 70×130 cm
“Fish O ‘Clock” Mixed media, print on canvas, embroidery on canvas, oil on canvas 70×130 cm
“Marina” Mixed media, print on canvas, oil on canvas 70×70 cm
“Marina” Mixed media, print on canvas, oil on canvas 70×70 cm
“Cats and Dragonflies” Gold/White Mixed media, print on canvas, embroidery on canvas, oil on canvas, 90×136 cm
“Cats and Dragonflies” Gold/White Mixed media, print on canvas, embroidery on canvas, oil on canvas, 90×136 cm
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